Tonal Balance Control comes with 3 factory target curves that represent the typical spectral curves found in major musical styles.Ĭlicking on the menu button to the left of the target curve dropdown menu exposes options for creating your own target curves to use in Tonal Balance Control. When weighted to the right, it indicates that your mix is ‘too compressed’ in the low end. When the meter is weighted to the left, it indicates that your mix is ‘too dynamic’ in the low end. The Crest Factor meter shows information about the low end dynamic range of your track. The frequency band labels will turn white when your current track is within the typical range for the selected target curve. The white spectrum curve in this view represents your current track. Fine Viewĭisplays the selected target curve range in blue across the frequency spectrum. You can make adjustments to Ozone and Neutron EQ instances to modify your mix to fall within the blue target ranges. The white lines will update to show how your track compares to the target curve. The blue bars shown in each frequency band represent the typical range of spectral variation for the selected target curve. Meters Broad Viewīroad View displays target curve ranges split into four frequency bands. The target curves display ranges of typical spectral variation across the frequency spectrum for these similar styles of music. These target curves were created by analyzing the spectral characteristics of numerous tracks across different genres/styles of music. The factory target curves in Tonal Balance Control represent typical spectral shapes found in different styles of music.
This ensures that the spectrum curve you are comparing to the currently selected target curve is after all other processing in your session.To get the most out of the Tonal Balance Control plug-in, we recommend that it is inserted at the end of the processing chain on your master bus track.
Tonal Balance Control should live at the end of your processing chain
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